Alistair MacLean - Golden Gate. Home · Alistair MacLean MacLean, Alistair - Golden Gate. Read more · MacLean, Alistair - The Golden Gate · Read more. is how the journalists describe the Presidential motorcade as it enters San Francisco across the Golden Gate. Even the ever-watchful FBI. Read “The Golden Gate”, by Alistair MacLean online on Bookmate – A tense and nerve-shattering classic from the highly acclaimed masster of action and.
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Editorial Reviews. Review. 'Startlingly good tense ingenious' Sunday Express. 'Alistair MacLean is a magnificent storyteller' Sunday Mirror. About the Author. The Golden Gate is a novel written by the Scottish author Alistair MacLean. It was first released . Create a book · Download as PDF · Printable version. The Golden Gate book. Read 63 reviews from the world's largest community for readers. A tense and nerve-shattering classic from the highly acclaimed mast.
These four novels featured third-person narratives and a somewhat epic tone, and were mostly set during World War II. The Last Frontier contained overt philosophical and moral themes that were not well received. These six novels including two under Stuart all featured first-person and sometimes unreliable narration laced with a dry, sardonic, self-deprecating humour, and were all set in contemporary times. These are MacLean's most intensely plotted tales, masterfully blending thriller and detective elements.
MacLean then retired from writing for three years, returning with — When Eight Bells Toll through to Bear Island, a varied collection of six novels that still maintained a generally high quality, with some books harking back to each of the first two periods but usually taking a more cinematic approach not surprising since he began writing screenplays during this time. Finally — The Way to Dusty Death to the end twelve novels.
There were no more first-person stories, and his prose is thought to have often sagged badly, with excessive dialogue, lazily described scenes, and under-developed characters. Some bore these faults more than others, and all the books sold reasonably well, but MacLean never regained his classic form. Certain themes are repeated in virtually all of MacLean's novels.
For example, they typically feature a male character who is depicted as physically and morally indestructible for instance, Carrington in HMS Ulysses or Andrea in The Guns of Navarone ; such characters are also often described as having an almost inhuman tolerance for alcohol consumption such as the Count in The Last Frontier or Jablonsky in Fear Is the Key.
MacLean was known to reuse plot devices, characterizations, and even specific phrases. For example, the description "huddled shapelessness of the dead" occurs in some form in several stories, while the villain, on realising that his death is imminent, has a face contorted into a "snarling rictus" or wolfish grin of terror.
Names are often reused as well, with chief female characters being frequently named Mary, or a variation thereupon Marie, Maria , while a number of MacLean's lead male characters are named John. His villains usually feature a coldly competent and ruthless mastermind paired with a hulking, brutishly powerful subordinate.
Force 10 from Navarone, MacLean's only sequel, picks up from where the film version of The Guns of Navarone leaves off, not his original novel. Otherwise, MacLean eschewed inter-novel continuity , save for two minor instances of a character from one novel appearing in another — Colonel De Graaf from Puppet on a Chain reappeared in Floodgate, and Professor Benson from Goodbye California making a second appearance in Santorini. He is buried a few paces away from Richard Burton 's grave. The inscription reads "Come my friends 'tis not too late to seek a newer world.
Lawrence and James Cook.
There was confusion around MacLean's pseudonym "Ian Stuart". MacLean used the pseudonym only once more on The Satan Bug, Some reference works still list Snow on the Ben as a possible MacLean novel. Many of MacLean's novels were made into films, but none completely captured the level of detail and the vividness of writing found in his best works such as Fear Is the Key; the two most artistically and commercially successful film adaptations were The Guns of Navarone and Where Eagles Dare.
MacLean wrote some screenplays, some of them based on his novels and others later novelized by other writers.
MacLean wrote the novel and screenplay of Where Eagles Dare at the same time; in effect it was commissioned by Richard Burton , who wanted to make a "boy's own" type adventure film that he could take his son to see.
The book and screenplay differ markedly in that, in the book, the Smith and Schaffer characters at times go out of their way not to kill anyone, whereas in the film they basically shoot anything that moves. In fact, the film contains Clint Eastwood 's highest on-screen body count, as well as a far more laconic interpretation of the Schaffer character.
Around , MacLean was commissioned by an American movie production company to write a series of story outlines to be subsequently produced as movies. Some of these works bear little resemblance to MacLean's, especially in their use of gratuitous sex and violence.
Any rescue attempts will result in the detonation of the explosives, which will kill the President and his guests and destroy the Golden Gate Bridge. However, Branson is an egomaniac, and he cannot resist attention from the media.
So he invites the press to stay on the bridge and cover the story. Aware that the FBI will have placed agents among them, he takes the precaution of searching them and removing the armed ones. However, Hagenbach the FBI's dour but extremely adept head agent has an ace in the hole: Allowed to remain on the bridge, Revson sets out to foil Branson's plans and rescue the President. With the help of a doctor and a female journalist, Revson gets a message to his superiors, suggesting various courses of action: He also arranges for several carefully disguised weapons and gadgets to be smuggled to him.
Working on both ends, Revson, Hagenbach, and those working with them unleash their own carefully conceived plans. The book was the first of three MacLean wrote set in California.
The book was a best seller. The Los Angeles Times thought Maclean was "going through the motions".
In October ITC announced the film was one of their "contemplated productions. From Wikipedia, the free encyclopedia. Los Angeles Times 27 Feb Los Angeles Times 12 Sep New York Times10 Oct